Idaho Film Society hosts 24-hour movie marathon in former bus depot

A 24-hour Nicholas Cage movie marathon drew a crowd that kept asking when the next screening would happen.

The Idaho Film Society, a nonprofit based in a former bus station, has operated in Boise for three years under the direction of Aidan Brezonick. Brezonick said the organization serves as a hub for filmmakers and film lovers across the state. He described the group's goal as building the local film industry from the ground up.

Brezonick returned to Idaho after traveling the country to expand his film knowledge. Mentors advised him to focus on telling Idaho stories because that was his area of expertise. Before starting the society, he worked on a film called "Mirage" about Boise's growth, but production halted during the Los Angeles writers' strike. A mentor suggested he could build the industry by starting an organization rather than relying on a single film project.

The society opened the repurposed space shortly after that film project was shelved. The location offers a soundstage and gear rentals for local creators. Brezonick stated that the group has supported more than 20 filmmakers since its inception. These projects have been made within the station and premiered there upon completion. The organization also provides guidance and mentorship to those creating content.

Professional animator Lars C. Larsen, who has 20 years of experience in stop motion, hosts drawing and animation workshops at the venue. He has also led sessions for students in the Boise State School District and at Boise Commonwealth. Larsen noted that most workshops are full or nearly full. He observed increased interest in stop motion animation, particularly from people who enjoy working with their hands.

In addition to workshops, the society hosts extended movie events and dinner screenings. A recent event featured a four-course meal followed by a viewing of "The Shining." A string quartet played theme songs from popular movies as guests arrived. The meal included artichoke dip, a salad of roasted beets and butternut squash, apple braised pork, and pomegranate panna cotta. The menu was designed to reflect the cold, snowy setting of the film.

Royce McCandless, a regular attendee who comes at least once a week, praised the atmosphere. He noted that the audience at these events has a specific appreciation for films. Brezonick credited the variety of events to a team of 14 board members and more than 60 volunteers who assist on any given day. After the meal, Brezonick invited guests to the theater for the screening.

Brezonick said the organization tries to find ways for people to interact with film differently. He noted that attendees often stay after the credits roll to discuss the movie. McCandless described the group experience as a bonding opportunity compared to an average movie-going trip.